Sarah McQuaid
Sunday 10th May | 7pm
The Rockfield Centre - Oak Studio, Oban, PA34 5DQ
Pay what you can tickets are available
Sarah McQuaid’s lush, velvety voice combines with her engaging personality and “brilliant musicianship” (fRoots) on acoustic and electric guitars, keyboards and (occasionally) drum to create a truly immersive experience. Her live performances are full of warmth, wit, and intimacy, and have earned her loyal followings on both sides of the Atlantic.
Born in Spain, raised in Chicago, holding dual Irish and American citizenship and now settled in rural England, she brings the eclecticism of her background to her “captivating, unorthodox songwriting” (PopMatters) and choice of material. From contemplative ballads to playful blues to atmospheric instrumentals, Sarah’s music invites reflection, connection, and a deep appreciation of the quiet power of a well-crafted song.
In the words of one audience member: “Sarah is a truly impressive artist who takes you on a journey through storytelling, blending a variety of musical genres and instruments with ease and creativity. Her lyrics are down-to-earth yet incredibly captivating. Attending her concert feels like diving into a book of short stories — some resonate deeply, some spark your imagination, others make you pause and reflect, and a few bring tears or spontaneous laughter. Sarah’s connection with the audience is both gentle and profound. You don’t just watch a performance — you become part of it, part of the story she’s telling. … To anyone considering seeing her live: go. It’s worth every second. You’ll leave with your heart full and your soul touched — guaranteed
Sarah will be singing and promoting her live album, The St Buryan Sessions, recorded live in lockdown in the beautiful medieval church of St Buryan, just over a mile from Sarah’s home.
“McQuaid’s voice, a fragile, starkly resonant alto, has always been a thing of folk-trad beauty,” wrote reviewer Kenny Berkowitz in Acoustic Guitar magazine, “but here, with ambient mics placed around the church’s interior, it takes on a new joyfulness and a deeper darkness.”
Ink 19’s Bob Pomeroy called it “a starkly minimalist recording of exceptional beauty.”
Folk Radio UK described it as “a wonderful, expressive and intimate live album from a consummate performer.”
“There is an audience,” wrote Adrian Jones in Folk London, “– it’s you, and you’ve kept shtum in the back pew. It’s an intimate and changing 70 minutes, ending with the silence of this hallowed setting. Sneak out quietly. And then listen to it again!”
